It’s another sunny Sunday, unfortunately. I don’t mind the sun but I prefer the weather to match the season, a little bit better than it has this year. We had one month of winter in December and since then it’s been mostly spring-‘ish.’ Yet I’m still banking on March and April to provide some opportunities to skip class and ski some fresh frozen precipitation; – don’t worry Dr. Sexson I’ll be sure to make it to your class, one of only a few that are enlightening, exceedingly entertaining (especially since I’ve counted a number of times when Sexson has said ‘stupid’ or ‘crazy bitch’), and always apocalyptic.
I must admit I found the test on Friday rather, ‘tricky’ itself. I was not expecting the matching section, and the essay questions were ‘tricky’ in that there was so much to answer with that I couldn’t really pick, choose, and focus my answer. But I have never been an excellent test taker: I often fumble under pressure and second-guess myself. However, overall, I’ve always thought that Sexson’s tests are more than fair and well constructed; though I was surprised there was a matching section it covered a lot of good material.
I’m going to return to Hermes and his trickery for a bit. A number of things have been on my mind revolving around Hermes, music, the lyre, and lying.
Hermes, and Stewie are our notorious tricksters. And not only are they mischievous but ridiculously entertaining. So is music, which Hermes entranced Apollo with; ”This unfamiliar sound is a divine thing.” Hermes, as the trickster, performs amazing music; but doesn’t it seem somewhat miss-matched that a trickster performs exquisite music? I guess not entirely; yet the idea that music is constantly ticking us is interesting. Music lies.
Hermes instrument, the lyre, perfectly resembles
the Latin origin, Lyra. Lyra is the name of a northern constellation, and the first and last words in Phillip Pullman’s trilogy, His Dark Materials: the name of the main character, the trickster who lies abundantly, and who is surprisingly female; lovely Lyra. If Woodruff is in love with Antigone and Charles Dickens is in love with Little Red Riding Hood, I may be in love with Lyra; except I may have said the same thing about Alice roaming around in Wonderland; but they’re both fictional characters and it’s ok to be in love with multiple fictional characters, right? Either way or one, they are both amazing and brilliant females.
Now, Lyra lies, a lot, and she is extremely good at it. Hermes lied too, but maybe not as well as Lyra; but perhaps he lied better when he played music, when he appeared to be an innocent little baby, born the day before. In fact Hermes’ trick worked with Apollo. Rather than continue to scold the child, Apollo claims he deserves the fifty cattle, and praises him above and beyond the Muses on Olympus. Apollo blabbers, “Where does it come from? Really it has three things at once to choose from: fun, and love, and sweet sleep. I also serve the Muses on Olympus. Dances they love, and shimmering strains of music, Lush singing and the flutes alluring cries. But nothing has enthralled my soul as this does – However brilliant young men’s shows at banquets. Zeus’s child, your sweet playing is amazing. Young as you are, you’ve got impressive talents.” Hermes successfully tricks Apollo to forget about his mischievous deeds through his baby music.
Yet, if music is constantly tricking us, it seems this obsession with music is slightly confusing and purposeful at the same time. I don’t think people listen to their favorite music with a predetermined motive that it is going to trick them. We listen for pleasure, comfort, and entertainment just as Apollo said, without realizing he was duped, by a baby. Yet it makes sense to think that music ‘tricks,’ or relieves, us from the despondencies of life. This is why everyone has an obsession with music, either their entire life or for significant periods. It seems almost too simple; but I believe that people are unconsciously aware of music’s trickery, which thus empowers music even more.